Current
    Potential Wor(l)ds
    Futures Within, Futures Without
2022
   
Practicing the Difference
    Moving Worlds
2021
   
Recipes for Disaster

2020
    Warm Worlds and Otherwise
    W.I.T.C.H. (Redux)
2019
~all the feels~
  Fandom’s Fantoms
2018
   
More Generous and More Suspicious”
   figure feels fantoms
2017
    The Labours of Barren House
    eyefeels
    Witchy Methodologies
    From Specters to Speculations
    The Linguists: Suzette Haden Elgin/Luce Irigaray
    I AM SF

    Native Tongue Reading Group

2016
    W.I.T.C.H.
2015
    Pioneer
2014
    A Description of a New World, Called The Blazing World
2013
    More Strange Than True

About ︎

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Mark

W.I.T.C.H. (Redux), digitally printed posters, dimensions variable, 2020. 

           

When curators Matteo Binci and Giacomo Pigliapoco proposed to exhibit W.I.T.C.H. (2016) as part of their group exhibition Crepuscolo (DUSK) in 2020, the invitation presented an opportunity to revist this earlier body of work.

In W.I.T.C.H. (Redux), the original painting objects are translated into a reproducible, digital form.  This series includes new designs and revisions to imagery from the 2016 works.  


Installation view at Bastione Sangallo, Loreto.  Photo: Michele Alberto Sereni.


The exhibition Crepuscolo (DUSK) (2020) at Bastione Sangallo in Loreto, Italy,  featured works by Enrico Boccioletti, Giulia Crispiani, Harun Farocki, Raffaela Naldi Rossano, Athena Papadopoulos, and Raphaela Vogel.


︎    The posters are now available to purchase with 20% of all sales being donated to domestic violence charities based in the UK ︎



Mark










































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