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Continuing
  Futures Within, Futures Without
  Luce Irigaray Circle
  Potential Wor(l)ds  
2024
    Holding Space
    Touched by a Sexuate Text
2023
    Good Bad Books?
2022
   Practicing the Difference
    Moving Worlds
2021
    Recipes for Disaster
2020
    Warm Worlds and Otherwise
    W.I.T.C.H. (Redux)
 2019
~all the feels~
  Fandom’s Fantoms
 2018
  “More Generous and More Suspicious”
   figure feels fantoms
2017
    The Labours of Barren House
    eye feels
    Witchy Methodologies
    The Linguists: Suzette Haden Elgin/Luce Irigaray
    I AM SF
2016
    W.I.T.C.H.
2015
    Pioneer
2014
    A Description of a New World, Called The Blazing World
 2013
    More Strange Than True
Mark
Modest Magic #1, acrylic paint and gessoed paper on folded aluminium sheet, 2022


Moving Worlds is the outcome of an artist residency and workshop series at the National Centre for Gaming Disorders. This body of work is inspired by my experience of the relational dynamics at play in the work of the clinic; reflecting on what it means to prompt or participate in the transformation of perception—to shift the nature of your relation to things. 

︎  Find out more about the clinic ︎


Building a World, Starting with Breakfast, digitally printed 8-page zine, 2022


Modest Magic #4, acrylic paint and gessoed paper on folded aluminium sheet, 2022


Moving Worlds was created during an artist residency at the National Centre for Gaming Disorders (2022).  This project was developed by artist Katriona Beales in collaboration with Professor Henrietta Bowden-Jones at the Central and North West London NHS Foundation Trust and supported by Arts Council England.  With special thanks to Family Psychotherapist  Alison Smith. 


︎  Link to Arts & Health Hub event ︎

 
Mark










































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